We chose to place this image under the Ceremonial/Healing category because this altar is displaying the acts of violence against Indigenous women historically, and the increased awareness of the growing amount of Indigenous women that are disappearing. This altar not only serves as a form of remembrance for those lives that were lost, but also as a form of advocacy to help stop the violence from continuing. This is a prime example of “la cultura cura,” It helps move towards healing the wounds of loss, celebrate their lives and advocate for a better future.
This image was placed in the cultural identity category because it reflects garments that help individuals showcase their identity. It also shows how art can encompass many parts of a culture, from the things your wear, the cultural traditions you practice, to the stories you tell – it is all apart of culture and what makes it beautiful and unique.
We selected these two pictures in particular because we believe that the culture that our families teach us is integral to knowing who you are to others and most importantly who you are to yourself. This goes hand in hand with the concept of how the space between life and death is healing, and art being one of those outlets where as the saying goes, “la cultura cura”. Both of these pictures portray aspects of cultures that are being used as a source of healing. For example, those who set up the altar in remembrance of all the missing Indigenous women were engaging in a form of healing. The process of collecting pictures, and other objects to place on their altar requires constant reflection on the lives that are lost and those who are present today keeping their memory alive through this act.
I had a long beautiful in depth conversation with Tony Esquivel’s son. Ton Esquivel passed away about five years ago, but his memory lives on through his work. Beacon Arts connected with Tony’s son to make this ofrenda. Tony talked to me about how his father made many of these paintings within the last fifteen years of his live. He made these paintings as a means of establishing his identity. For many years, his father struggled with who he was due to the oppression that the Catholicism can put upon people. This lead his offer to gravitate into the indigenous aspect of being Chicano. Here, he found peace. His is most prevalent with in his depictions. Tony’s son told me how they are slowly are revealing his fathers work to the public, and believe the sharing of his story would be the greatest thing. I also I enjoyed being able to see the amount of emotions in even the animals facial expressions in Tony’s work. His work is well informed, powerful, and must be showed and shared to the world. Tony is thoughts and powerful ideas live beyond his death and are now immortal through his work.
At El Centro’s stage for DDLM, one of the MC’s, El Vez, is paying homage to his friend, Kim, a musician, performer, and somebody very dear to him who cannot be fully encapsulated in words. (Photo taken by John Petrovich, group 8).
As the celebration of Dia de Los Muertos continues at El Centro, we are paying homage through group song and performance. Above, we are paying homage to Kim, a musician from Los Angeles who left the world to early, and we are listening to transformations of her music by her dear friend.
At El Centro’s stage for DDLM, a performer from Bellingham is emulating and paying their respects to Selena. (Photo taken by John Petrovich, group 8).
Above, everybody comes together in song and laughter as Selena makes her way to and down the centre aisle in song dance. I personally cannot place the songs because of my lack of Spanish, though I do see couples dancing with their loved ones and others watching in awe at the power of this performance.
It is amazing to see so many people joined together. Whether eating mole, learning about the ofrendas made this year, or face-painting, we are all in celebration of our loved ones return. There is nobody with a frown on their face, a sharp contrast to the modes of grieving permitted in euro-centric society. Rather than “just dealing with it,” we are collectively remembering, mourning, and healing. I am truly thankful for this space.
As we walk through the hall of altars we see many different interpretations on what our community is honoring. I noticed the waves of people stopping specifically and taking time to look at this altar. As I stepped closer it looked like an exact replica of what we think an ofrenda/altar to look like. The bright colors & the photos of those being remembered with the pan de muerto all ties the traditions together & is opening space to bring the community together. Everyone was stopping & taking photos while parents were stepping down to their kids to help explain why an altar had specific colors & offerings. Those dressed in dia de los muertos fashion walked with their chins up & caught the attention if those admiring the work & community.
As the community came together to celebrate Dia De Los Muertos I walked through the Ofrenda halls, passed by the smell of mole, & outside into the mini market. You saw children mesmerized by those dressed in traditional fashions with their face makeup (pictured @ 5:07pm-chose not to be named) & you saw the long lines from the community looking for abuelita hot chocolate with a piece of pan de muerto (pictured @ 6:02pm). The passing out of pan de muerto was allowing for those who didnt quite understand why the pieces of dough were on the ofrendas to take a piece of the tradition. They could feel the sweet bread dipped in the warm cocoa fill their bodies to replicate how the ofrendas were fulfilling the voices of those being honored.
– This photo was at the Dia De Los Muertos Celebration, in El Centro De La Raza’s Seattle, WA. Taken by Group 9 , UW students in GWSS 451 on November 1 2019. The capture represents People from different cultures sitting on one table and enjoying Mexican food tradition lunch altogether.
In the capture there are many people who have different cultural backgrounds and personal identities. They are all sharing one table, and they were all enjoying eating one type of food that represents Mexican food tradition. I personally never tried Mexican food before, when I tried it in the altar/ ofrenda event, I found out it is very similar to the Middle Eastern food which is wonderful. The people were having fun talking to one another and celebrating the Altar/ Ofrenda honoring the memory of the people who have passed away.
I just followed a crowd of people being lead of dia de los muertos folklorico dancers. I followed these dancers to the unknown. I slowly realized i was being lead into a performance room. I heard the tune of the iconic, political rallying song “It’s immigration time” by El Vez. El Vez is an iconic Mexican/ Chicano Elvis impersonator. That alters various classic rock ballads into songs describing the chicano experience. He was wearing a beautiful green, white and red mariachi suit with the Mexican eagle printed on his back. The people in the crowd consisted of various colors, ethnicity and cultures. This event was a magnificent experience celebrating what it means to be chicanx resisting the migra with diverse open minded family and friends.
-This photo was at the Dia De Los Muertos Celebration, in El Centro De La Raza’s Seattle, WA. Taken by Group 9 , UW students in GWSS 451 on November 1 2019. The capture represents SIEU 6 service that protect workers rights.
At the Dia De Los Muertos Celebration event, this altar is representing an honor for the SEIU 6, which is labor Union in Seattle that being founded by group to protect the rights of the employees. SEIU 6 present over 7,500 workers in Washington State. SEIU 6 is diverse service membership that present immigrants workforce as well.
This event was a really great experience for me. Having grown up in Hawaii, I was very fortunate to be able to experience a great fusion of cultures, from Hawaiian culture to Japanese culture. However, there wasn’t a huge population of Latinx people, so I knew very little of the culture. The biggest factor as to why I decided to take the Latina Cultural Production class, was to learn more. This has led to me to attend the Dia De Los Muertos event. This was the first time I experienced a Day of the Dead celebration. Whether it was my groupmates speaking their own language to the people stopping by our altar or the kids celebrating this day with their family, I witnessed the strong Latinx culture surronding Dia De Los Muertos and I am very appreciative of this opportunity to be a part of this event.
The picture above is of our altar which commemorates the children who passed while in custody of immigration.