Convivencias & Events

This SUNDAY January 22, 2017 @ 4pm

Women Who Rock Brainstorm Gathering!

We invite past organizers, participants, attendees and those new to Women Who Rock to a brainstorm gathering this Sunday January 8 @ 4pm, Washington Hall (153 14th Ave, Seattle, WA 98122).

Since we don’t have a long lead time, this year’s gathering on Feb. 11 will be scaled-back. Please come and share your ideas about what you’d like to be included for WWR 2017 and how you’d like to be involved. Please spread the word about this Sunday gathering.

If you can’t make the meeting but have ideas you’d like to share or if you’d like to be connected in some way, please send a message to with “women who rock volunteer” in subject line.



Women Who Rock: Making Scenes, Building Communities 2017  Gathering

 “Water is Life”

FEBRUARY  11th (Saturday)

 Free and All Ages!

Community ofrenda/altar, Standing Rock report back, ritmo/rhythm percussive dance work workshop, open-mic, music, dialogues, and more!


Schedule so far!

At this year’s WWR (Un)Conference, we gather together to organize in community around the theme of building ethical relationships between land, water, place and people. Inspired by the “Water is Life” movement, we are creating a space for dialogue across different organizing efforts and communities. The (Un)Conference includes musical theater by Gabriela Seattle, a report back panel on local organizing & Standing Rock, skill-share workshops, children’s story circle, open mic, fandango, and t-shirt & button making! Find our schedule below–we will update with new developments! Free and all ages!
3:30 WELCOME Blessing/music
Rise Up, Create, Transform Report Back Panel: STANDING ROCK, No Youth Jail, Sanctuary Cities, NWDC Resistance
BOMBA DANCE- Jade Soto Mayor
WIKIPEDIA HACKATHON – Siko Bouterse and Amanda Menking
6:00 GABRIELA SEATTLE – MUSICAL PERFORMANCE “Maalaala Mo Kaya? Isulong!” (Would you remember? Onward!) 30 minutes (
7:30 FANDANGO/ BOMBANGO CLOSE with Jade Sotomayor
SPECIAL GUEST: MAYA JUPITER #schoolsnotprisons






This SUNDAY January 8, 2017 @ 4pm

Women Who Rock Brainstorm Gathering!

We invite past organizers, participants, attendees and those new to Women Who Rock to a brainstorm gathering this Sunday January 8 @ 4pm, Washington Hall (153 14th Ave, Seattle, WA 98122).

Since we don’t have a long lead time, this year’s gathering on Feb. 11 will be scaled-back. Please come and share your ideas about what you’d like to be included for WWR 2017 and how you’d like to be involved. Please spread the word about this Sunday gathering.

If you can’t make the meeting but have ideas you’d like to share or if you’d like to be connected in some way, please send a message to with “women who rock volunteer” in subject line.



Women Who Rock: Making Scenes, Building Communities 2017  Gathering

 “Water is Life”

FEBRUARY  11th (Saturday)

 Free and All Ages!

Community ofrenda/altar, Standing Rock report back, ritmo/rhythm percussive dance work workshop, open-mic, music, dialogues, and more!

Time and Location To Be Announced

Dear friends, we had not planned on doing Women Who Rock this year, but we decided that now is the time to be in community more than ever! We need something to look forward too.  We usually plan for 9 months, but we felt the urgency to get together despite not planning, to connect, have dance workshops and have fun! But because we don’t have much lead time we are

SEEKING VOLUNTEER INTERNS–the help with setting up chairs, etc, working on website, helping make buttons, etc.

If you’d like to volunteer in any way send a message to with “women who rock volunteer” in subject line. Thanks!


This SUNDAY Dec. 18 @ 3:30pm

Women Who Rock Brainstorm Gathering!

We invite past organizers, participants, attendees and those new to Women Who Rock to a brainstorm gathering this Sunday Dec. 18 @ 3:30, Washington Hall (153 14th Ave, Seattle, WA 98122).

Since we don’t have a long lead time, this year’s gathering on Feb. 11 will be scaled-back. Please come and share your ideas about what you’d like to be included for WWR 2017 and how you’d like to be involved. Please spread the word about this Sunday gathering.

If you can’t make the meeting but have ideas you’d like to share or if you’d like to be connected in some way, please send a message to with “women who rock volunteer” in subject line.



Women Who Rock: Making Scenes, Building Communities 2017  Gathering

 “Water is Life”

FEBRUARY  11th (Saturday)

 Free and All Ages!

Community ofrenda/altar, Standing Rock report back, ritmo/rhythm percussive dance work workshop, open-mic, music, dialogues, and more!

Time and Location To Be Announced

Dear friends, we had not planned on doing Women Who Rock this year, but we decided that now is the time to be in community more than ever! We need something to look forward too.  We usually plan for 9 months, but we felt the urgency to get together despite not planning, to connect, have dance workshops and have fun! But because we don’t have much lead time we are

SEEKING VOLUNTEER INTERNS–the help with setting up chairs, etc, working on website, helping make buttons, etc.

If you’d like to volunteer in any way send a message to with “women who rock volunteer” in subject line. Thanks!





As Always All Ages! Free and open to the public!

Women Who Rock is excited to share that our 2016 unConferene will be held in Eastern Washington!


WWR Yakima

Thank you to the Yakima Valley organizing collective! This is the fist year the collective has organized outside of Seattle and in the Yakama Valley.  Women Who Rock is excited to grow by entering new dialogues with new voices and organizers! All events are free!

Women Who Rock 2016  focuses on creating opportunities for local, trans-national and trans-temporal. Our theme this year is creating dialogue across cultures in the Yakima Valley. We used the phrase “our heart is happy that you have entered into our district” borrowed from the Toppenish School district which underwent a community process to get words that were represented by voices in Sahaptin, Spanish and English. And truly, we want to welcome you to a dialogue about our traditions, culture and connection to history. Bios coming soon. Information on the big event in a separate post. The National Public Radio, Latino USA radio show produced by Maria Hinojosa on the relationship between Native Americans and Latin@s on the Yakima Reservation has been a source of inspiration for this conference.

Listen to Women Who Rock 2016 Yakima unconference coordinator Yesenia Hunter’s experience on the following podcast @

For more info about Women Who Rock Community, please click on
To sign up to volunteer email or click here
Questions? Email or
Hope to see you!


Women Who Rock: Making Scenes, Building Communities 2016 Program (All events free)

Thursday, April 7 @ 11:55am-1pm-“Collective Song Writing Workshop.” With Dr. Martha Gonzalez, Scripps College. Yakima Valley Community College.  Quiet Lounge. S 16tg and Nob Hill Blvd.

Thursday, April 7 @ 6:00pm-7:30pm “Connection to History Through Tradition and Arts” Dialogue. Yakima Valley Museum,2105 Tieton Dr. Yakima 98902.

Featuring HollyAnna Littlebull, Marylee Jones, Natividad Mendoza, Guadalupe Marquez, moderated by Dr. Martha Gonzalez, Scripps College

Skill Share, Kid’s Activities, Music

Friday, April 8 11:45am1pm-Lecture “Artivism in the Classroom” and Collective Song Writing Workshop.” With Dr. Martha Gonzalez, Scripps College. Location: Heritage University, 3240 Fort Rd, Toppenish, WA 98948.

On Friday, bring cash for food (Indian Tacos by HUNAC), beverages, and crafts.


5th Anniversary!  Women Who Rock: Making Scenes, Building Communities 2015 || Rocking Media Justice || Friday March 6 & Saturday March 7 @ Rainier Valley Community Center.  As always, free and kid friendly. Click here to register and save your place.

Today’s Schedule:

Women Who Rock: Making Scenes, Building Communities Event Schedule:

Saturday, March 7th: 11 AM – 8 PM at Rainier Valley Cultural Center

On Rainier Blvd.

11:00 (meet) Starting at Rainier Ave S and S. Dawson St.

11:30 (blessing and warm-up Sista Hailstorm, Confirmed)

Noon (start march) – March to Rainier Valley Cultural Center, 3515 South Alaska St., Seattle, WA 98118

1:00 Blessing Patty from UW, (Confirmed), Herstory (group effort)

Sylva to introduce

Women Who Rock Collective


Percussive music/dance

Monica De La Torre to introduce Panel (about 3 minutes)

1:30 – 3:00 – Featured Intergenerational Roundtable

Media Justice & Solidarity in Women’s Organizing.

WOCFSC (facilitators)

Sharon Maeda (LPFM, ECC, 3rd World Feminists, Youth Media Institute)

Zola Mumford (Curator for Langston Hughes Performing Arts Center African American Film Festival/Reference Librarian) and her mother, regarding archiving history

Jacque Larrainzar (Ayotzinapa, queer media, City of Seattle, musician, Movimiento Afro Latino Seattle)

Danae Harrison-Corey (Vera Project; Danae manages communications & design for TAF and works as a Technical Production Assistant. They currently study Design and Electronic Music at the Evergreen State College and bring experience in show production, programming, artist management and DJing.)

Star Nayea (Musician; can speak to using music as a form of social justice)

3:00 – 3:15Harmonizers: The Lonely Coast (Anne Mathews and Valerie Holt)

3:15 – 5:00 – Conversations and Skillshare

Conversations and other things: LOCATION UPSTAIRS

  1. Norma Timbang (longtime community activist, social worker, skilled consultant and UW lecturer)
  2. (Mexicanos Unidos) Ayotzinapa and Beyond HB 1070 and (Seattle Fandango Project Workshop)
  3. Songwriting/harmonizing with The Lonely Coast
  4. Naomi Ishisaka (Colors Northwest, Union work, Photographer)
  5. Altar/Ofrenda
  6. Women Who Rock Timeline

3;15 – 5:00 – Skill swap:


1 and 2. Community artist merchandise

  Nina IngramElizabethMari Shibuya (artwork)Julie
3. Social Media Justice (Writing) – blogging/ twittering/ wikipedia Latina TechAmanda Menking
4 AND 5 –  Media Justice Production – photography, video, digital stories etc. Reel GrrlsNicole Robert (Queering the Museum Digital Stories –Julie Hurst (digital storytelling )Longhouse Media (CONFIRMED – Melissa Woodrow to represent)Native Voices (Melissa Woodrow to represent)

What’s Good 206

Rebecca Simms

6. Media Justice Radio (LPFM) (audio) U WAVE UWBLila Kitaeff, KUOW RadioActive Youth MediaHollow Earth Radio
7. Media Justice Zines ZAPP,
8. Community Publishing: Arts, writing, illustration, publishing Yesenia
9. Kids and Media Justice AlexVine making
10. Screen Printing Malia
12. Cake!! Cake!!

5:00 PM : BREAK w/ Harmonizers (singing to gather people)








Check out our Speakers’ bios!

Sharing is caring! Share WWR Facebook photos and use our Twitter hashtags to get the word out.

#WWR2015 #WWRRockingMediaJustice

Mark your calendar!

Mark your calendar!

Save the date! Women Who Rock Community unConference 2015: Rocking Media Justice

The Women Who Rock (WWR) Community will celebrate our 5th anniversary on Saturday, March 7th with the 2015 WWR unConference, an event where we strive to create a space for women to participate together in discussing ways for Rocking Media Justice. The 2015 WWR unConference will take place at Rainier Valley Cultural Center, featuring a moderated roundtable dedicated to solidarity within organizers, roundtable discussions with the community, a skills-share space, where attendees can float from booth to booth, collecting different methods for rocking media justice, a cypher, and a community-created altar.

Stay tuned for the 2015 WWR unConference poster! Coming soon…

Sharing is caring! Share WWR Facebook photos and use our Twitter hashtags to get the word out.

#WWR2015 #WWRRockingMediaJustice


Three Days. Two Locations. One Love!

Women Who Rock “Making Scenes, Building Communities” welcomes the fourth annual (Un)Conference, Film Festival & Oral History Archive “Honey & Healing” with a series of events from Thursday, April 24th through Saturday, April 26th. Children and families are welcome.WWR2014 Poster Up April

Invitation to  “Honey & Healing.”  All events are free and child-friendly.


brick18 Evelyn Harris has dedicated her voice to giving depth and meaning to an extensive array of musical styles, creating stirring interpretations of African-American traditional and contemporary material, freedom songs from around the world, jazz, pop, rock ‘n’ roll, gospel and blues.

Her 18-year tenure with the internationally acclaimed Black women’s acapella ensemble Sweet Honey In The Rock guided her studies as an artist, performer, arranger and composer. Her compositions include State Of Emergency (1988 Grammy nomination)and My Lament. With Sweet Honey, she recorded and co-produced ten albums on the Warner Brothers, Redwood, and Flying Fish labels.

Evelyn relocated to the Pioneer Valley in Fall 2002. For over 3 years, she directed the choir at the North Hadley Congregational Church and facilitated writing and singing workshops with teenage mothers through the Springfield, Mass YWCA. With an emphasis on the social, political and economic conditions of Blacks in America, she has taught “Introduction to African-American Music” at the Pioneer Valley Performing Arts High School, MacDuffie School, Stoneleigh-Burnham School, Smith College, Mt. Holyoke College and Westfield State College among many others. Evelyn currently directs “The Ku’umba Women’s Chorus” at the Northampton Community Music Center and uses singing as cognitive therapy with dementia and Alzheimer’s patients in several nursing homes in the area. During the summer, she is a vocal instructor at the Jane Hanson Vocal Music Academy and the Institute for the Musical Arts Rock ‘n’ Roll Girls Camp. She has enthusiastically shared the stage with The Safari East Jazz Trio, Hip-Hop performance poet Lenelle Moise, singer-songwriter Pamela Means, pianists Miro Sprague, Jeff D’Antona, Stephen Page, Joel Martin and Jerry Noble as well as saxophonist Charles Neville. Earlier collaborations with a diverse spectrum of artists include Odetta, Holly Near, Glory Van Scott, Alice Walker, Maya Angelou, June Jordan, Sonia Sanchez, Horace Boyer, Art Steele, Jane Sapp, Zap Mama and Take 6.

Evelyn will be accompanied by Screen Shot 2014-04-06 at 8.52.59 PMJanice Scroggins Janice is one of the most in-demand pianists in the Northwest today. She’s on a ton of albums, not just on Flying Heart, but on this label she plays on Eddie Harris’s album, Tom McFarland’s first album, all three Esquires albums, and her own album of Scott Joplin rags. This was for many years the only recording on which Janice Scroggins is the named headline artist. A newly remastered pressing was released in 2010. Furthermore, Janice is all over our 18-song Portland Blues sampler, “A Taste of the Blue Rose,” playing with practically everyone on the project, in a kind of “house band” that included Randy Monroe on bass and Carlton Jackson on drums. Writing in the November 1998 Two Louies, S.P. Clarke describes Janice as “the very model of the perfect side musician, utilizing space in her keyboard delivery, leaving plenty of room for the other players, while glistening in her moments to shine.” That assessment is as accurate today as ever.

Janice has a new CD out called Piano Love and released in 2014 on Michael Allen Harrison’s MAH label. This is the album we’ve all been waiting for! It is a thing of beauty


Festivities kick off on April 24th at 5:00pm at Washington Hall (153 14th Avenue, Seattle, WA 98122) with “Afrolatinas Who Rock: Warming Up the Honey,” an event honoring Afrolatinas in the arts.  This first event is organized by MÁS: Movimiento Afrolatino Seattle and includes films, discussions, music and dance performances.

On April 25th, the Women Who Rock (Un)Conference begins at 3:00pm at Washington Hall with a community altar and calavera building workshop.  Legendary singer, songwriter, composer and educator Evelyn Harris, formerly of the Grammy-nominated Black women’s a cappella ensemble Sweet Honey in the Rock, will provide the keynote and perform (8pm).  She will be accompanied by Janice Scroggins. The theme of “Honey & Healing” is to acknowledge the sweetness we allow ourselves as women who resist, survive and practice resilience, demonstrating how women have brought community together to heal through the arts and create beauty out of oppression. This theme is embodied in the Green Bodies “The Mix” Market featuring local art & goods by entrepreneurs, healers, artists, and snack geniuses.  We invite vendors to this massive mix of creators of healing (See Green Bodies link below for more information).  The event includes a film festival co-sponsored by Native Voices (5:30pm), and community cypher & jam featuring Seattle Fandango Project, Yakima Fandango Community, Women’s Caribbean Steel Pan Project (6:30pm) and 206 Zulu Malika Jam with hip hop artists Julie C & Sista Hailstorm along with b-girls to close down the evening (9:15pm).

 On April 26th (10am-12pm), the festivities close at The Bush School (3400 E. Harrison Street, Seattle, WA) with “Spiking the Honey,” a discussion,  and performance unpacking the power of the female in the punk rock world featuring punk legend Alice Bag, Night Train & Jessica Mills.

Guest scholars & critics:  Mary Pat Brady, Daphne A. Brooks, Mako Fitts, Martha Gonzalez, Kate McCullough, Gaye T. Johnson, Sherrie Tucker, Ann Powers, and Deborah Wong. 

Our goal is to generate dialogue, build and strengthen relationships between local musicians and their communities in collaboration with educational institutions.  We emphasize community involvement in the event and encourage attendees to participate in creating dialogue.

All events, especially April 25th, are D.I.W.O. (Do It With Others).  We encourage participants to bring instruments, paintbrushes, beats, ideas, recording tools, your singing voice, knitting, art supplies, jarana, and dancing shoes to add to the “mix” of the market, altar, and jam sessions!


All events are free and open to the public. Children are welcome.


♥ Free advance  registration @  Please register!!!  Registration will also be available on the day of the event.

Please help spread the word by inviting your friends, FB or in person!

Check for updates @
Tumblr @
Facebook @
Twitter @womenwhorock206(#WomenWhoRock206)
Thursday, April 24 || Doors Open at 5PM
@Washington Hall (153 14th Avenue, Seattle)

“WARMING UP THE HONEY: Afrolatina Women Who Rock – honoring Afrolatinas in the arts

Organized by: MÁS Movimiento Afrolatino seattle
Films, discussions, goods for sale, music and dance performances.

Details at: or
Facebook invite:
Friday, April 25 || 3:00 PM – 10 PM
@ Washington Hall (153 14th Avenue, Seattle)

3:00 Green Bodies “THE MIX” Market, Community, Altar and Sugar Skull Workshop with Jacque Larrainzar , Slow Food, Music. (Bring cash for vendors).

5:30 Film Festival

6:30 Community Jam Session – Featuring:
Cypher lead by Julie C.
Seattle Fandango Project
Yakima fandango Community
The Seattle Women’s Steel Pan Project

8:00 Keynote: Evelyn Harris formerly of Sweet Honey in the Rock

9:15 Performance – 206 Zulu Malika Edition
Saturday, APRIL 26 || 10:00 AM to 12:00 PM
@ the Bush School (Community Room) (3400 E Harrison St, Seattle)


With special guests: Alice Bag, Jessica Mills, & NighTrain
Unpacking the Power of the female in the punk rock world
SPONSORS: Women Who Rock Collective, Uzuri Productions, Greenbodies, 206 Zulu Nation, Real Colored Girls, MÁS – Movimiento Afrolatino Seattle, De Cajón Project, Seattle Fandango Project, Yakima Fandango Community, The Seattle Women’s Steel Pan Project, Queering the Museum Digital Storytelling Workshop, Dia De Muertos Seattle, The Bush School, Social HeARTistry Educators (S.H.E.), City of Seattle Office of Arts & Culture, EMP Pop Conference. University of Washington Sponsors:  Simpson Center for the Humanities, Gender, Women & Sexuality Studies, American Ethnic Studies, The Graduate School, Native Voices, Office of Minority Affairs and Diversity, Diversity Research Institute, Communication Department,ASUW, Women Who Rock Student Club, Beyond HB 1079, College Assistance Migrant Program, UW Libraries Digital Initiatives. Special Thanks to Dr. Nancy “Rusty” Barceló for keynote sponsorship.

To request disability accommodation, contact Washington Hall at 206-595-5886

Women Who Rock Community supports, develops, and circulates cultural production, conversations and scholarship by cultural producers and faculty, graduate students, and undergraduates across disciplines, both within and outside the University, who examine the politics of gender, race, class, and sexuality generated by popular music. Our goal is to generate dialogue and provide a focal point from which to build and strengthen relationships between local musicians and their communities, and educational institutions.

For more information, to volunteer with us, to learn more about the project, learn about accessibility of buildings and space, and to contribute your stories to the Women Who Rock Oral History Archive (hosted by the University of Washington Libraries), please visit: and/or email:

For information about the Women Who Rock Archive:

For information about “Afrolatinas Who Rock: Warming Up the Honey,” contact

For information & to participate in the Community Jam Session and the Green Bodies “The Mix” Market, contact .  Tables are $25.00, to be one of the vendors, click here:

For information about “Spiking the Honey,” contact


Evelyn Harris (with Janice Scroggins

Alice Bag

Julie C

Sista Hailstorm

Festival de Dia De Muertos Seattle


MÁS: Movimiento Afrolatino Seattle

Native Voices:  Indigenous Documentary Film:

Green Bodies & Uzuri* Productions

Seattle Fandango Project:


Christa Bell –  2014 organizer. Christa is an award-winning spoken word poet, performance artist and feminist culture creator from Seattle,Washington. She is an MA candidate in Cultural Studies with a designation in Gender, Women & Sexuality Studies at the University of Washington Bothell, a member of the Women Who Rock and Fembot collectives and a founding member of Real Colored Girls. She is a National Poetry Slam Champion and her work includes the one-woman show CoochieMagik: A Spoken Word Musical Comedy, commissioned by the National Performance Network, 1001 Holy Names for Coochie, a 24-hour endurance mantra and performance art installation, which premiered at the Seattle Art Museum as part of the opening events for Elles: Women Artists From The Centre Pompidou; and SHEism: The Woman Worship Workshop, a performance- lecture and workshop that explores the spiritual politics of female bodies.  Her work has been featured on National Public Radio, as a TEDx Talk, and on and she has performed, by invitation, at over 100 universities, colleges, festivals and performance venues internationally. Her performance work is primarily concerned with feminist imaginings of the divine as well as how women’s spiritual self-esteem impacts their participation in the political processes that govern their lives. Her research interests include black feminist theory and genealogies, feminist cultural production, performance studies and cultural intersections of race, gender, culture and theology. Her current performance work is scheduled to be included in theWhitney Museum of American Art: 2014 Biennial as part of a global collective.  Her essay “Shall We Begin Then?” a meditation on future/present ancestral bodies, will be featured in the 2014 Biennial catalogue.

Mary Pat Brady is an Associate Professor at the author of Extinct Lands, Temporal Geographies: Chicana Literature and the Urgency of Space (Duke University Press, 2002), which was awarded the Modern Language Association’s Prize for the Best Work of Latina/o and Chicana/o Literary and Cultural Criticism. She is also an associate editor of the sixth edition of the Heath Anthology of American Literature (Cengage 2008-2009). An earlier essay, “The Contrapuntal Geographies of Woman Hollering Creek and Other Stories” (published in American Literature in 1999) won the Norman Foerster Prize for the best essay published in that journal for 1999. She has also taught at Indiana University, UC Santa Barbara, and UCLA; she has also served as the Director of Cornell’s Latina/o Studies Program. She is currently working on a project that examines the relationship between neoliberalism and Latina/o literatures and cultures.

Daphne A. Brooks is professor of English and African-American Studies at Princeton University where she teaches courses on African-American literature and culture, performance studies, critical gender studies, and popular music culture.  She is the author of two books: Bodies in Dissent:  Spectacular Performances of Race and Freedom1850-1910 (Durham, NC: Duke UP), winner of the The Errol Hill Award for Outstanding Scholarship on African American Performance from ASTR and Jeff Buckley’s Grace (New York: Continuum, 2005).  Brooks is currently working on a new book entitled Subterranean Blues: Black Women Sound Modernity (Harvard University Press, forthcoming).  She is the author of numerous articles on race, gender, performance and popular music culture such as “Nina Simone’s Triple Play” in Callaloo; “This Voice Which Is Not One: Amy Winehouse Sings the Ballad of Sonic Blue(s)face Culture” inWomen and Performance; “The Write to Rock: Racial Mythologies, Feminist Theory, and the Pleasures of Rock Music Criticism” inWomen and Music; and “‘All That You Can’t Leave Behind’: Surrogation & Black Female Soul Singing in the Age of Catastrophe” inMeridians. Brooks is also the author of the liner notes for The Complete Tammi Terrell (Universal A&R, 2010), winner of the 2011 ASCAP Deems Taylor Award for outstanding music writing and Take a Look: Aretha Franklin Complete on Columbia (Sony, 2011). She is also the editor of The Great Escapes:  The Narratives of William Wells Brown, Henry Box Brown, and William Craft (New York:  Barnes & Noble Classics, 2007) and The Performing Arts volume of The Black Experience in the Western Hemisphere Series, eds. Howard Dodson and Colin Palmer (New York: Pro-Quest Information & Learning, 2006).  Brooks is the recipient of 2010-2011 Radcliffe Institute for Advanced Study Fellowship. She is the past recipient of fellowships from the Ford Foundation, the Mellon Foundation, the Woodrow Wilson Career Enhancement Fellowship Program, and the University of California Humanities Research Institute.  She has also held residence at U.C. Berkeley as a President’s Postdoctoral Fellow and at Harvard University as a W.E.B. DuBois Research Institute Fellow.

Luzviminda Uzuri Carpenter  –  2014 organizer (pronounced Loose-b-min-dah ooh-zir-e car-pen-ter) aka Lulu, works for Historic Seattle as the Caretaker at Washington Hall and a Co-Coordinator at the Racial Disparity Project of The Defenders Association. In 2008, she founded Uzuri Consulting & Productions and a collective called Green Bodies with other fierce womyn of color and KnowMades (a youth solidarity organization). She serves on community advisory boards, such as Women Who Rock Community, Zenyu Healing and Allyship.  Carpenter has worked with Hidmo, Ladies First Collective Organizing Committee (an anti-rape collective), Pinay sa Seattle-GABRIELA around issues of art & cultural work to support movements. Carpenter has built trainings, programming & curriculum with womyn of color, trans & queer, and LGBTIQ communities around intersectional oppression, intimate partner violence, sexual violence, and transformative justice within the Asian Pacific Islander Women and Family Safety Center, Communities Against Rape and Abuse (CARA) and recently through YouthCare. She has honed her passion and skills for working with “marginalized” youth including formerly incarcerated, gang affiliated, trafficked, homeless, immigrant, & refugees for the past 8 years through the following organizations: YouthSource, YouthCare James W. Ray Orion Center Drop-in & Outreach Team, Franklin High School Political Science & Public Service Academy, the Service Board,Seattle Young People’s Project, and Seattle YouthSpeaks.  As a bridge builder & community organizer, Carpenter believes in the power of art & cultural work to heal & transform lives individually & collectively.

Alaia D’Alessandro –  2014 organizer. Comparative History of Ideas student Alaia D’Alessandro has received a Mary Gates Research Grant and will be traveling to Puerto Rico in April to continue producing her travel show Phonic Earth which explores community and social relationships to sound and music in different parts of the world. This will be the second episode of Phonic Earth, the first being completed in The Faroe Islands this past summer. The first episode of the project Phonic Earth: When Islands Sings that was centered in The Faroe Islands has recently been publically released on youtube and has received over two thousands views in a couple days. The film starts off by diving into a scientific exploration of the links between sound waves and history, explaining how culture is physically preserved in timbre, rhythm and melody. Overtime these elements are transmitted through landscape, animals and people and gradually form dialects, music and other phonic customs. This magnificent process is demonstrated through the Faroe Island’s music culture. Grotto concerts, national festivals, interviews with musicians and more take the audience on a one of a kind trip through the sounds of the Faroe Islands. Go to youtube, or to view the documentary.

Monica De La Torre -2014 organizer. Monica’s scholarship bridges New Media and Sound Studies by analyzing the development of Chicana feminist epistemologies in radio and digital media production. A member of Soul Rebel Radio, a community radio collective based in Los Angeles, Monica is specifically interested in the ways in which radio and digital media production function as tools for community engagement. She is an active member of the UW Women of Color Collective and the Women Who Rock Collective. Monica earned a B.A. in Psychology and Chicana/o Studies from University of California, Davis and an Chicana/o Studies from California State University, Northridge; her master’s thesis was entitled “Emerging Feminisms: El Teatro de las Chicanas and Chicana Feminist Identity Development.” Monica received a 2012 Ford Foundation Predoctoral Fellowship, which recognizes superior academic achievement, sustained engagement with communities that are underrepresented in the academy, and the potential to enhance the educational opportunities for diverse students.

Mako Fitts Ward – 2014 organizer. Mako is a feminist educator, writer, activist and mother and currently teaches in the School of Social Transformation at Arizona State University. Dr. Ward’s research focuses on intersectional analyses of hip-hop cultural production and urban community organizing using hip-hop as a tool for social justice activism. She is co-founder of the online writing and organizing project, Real Colored Girls,and co-founder of Women Who Rock, a digital archive project at the University of Washington and collective of musicians, media-makers, performers, artists, scholars and activists committed to documenting the role of women in popular music and the formation of cultural scenes and social justice movements. Dr. Ward has been a contributing blogger for Ms. Magazine and has published popular and scholarly essays on body ethics and aesthetics among women of color, media and gender images, women in hip-hop, gentrification and cultural displacement, and Black women’s social movement organizing in the early 20th century.

Martha Gonzalez (presenter Women Who Rock sponsored panel Improvising New Communities with Bodies in Motion Roundtable” Sat. 4/26, 9 am Pop Conference). Gonzalez is Assistant Professor at SCRIPPS/Claremont College in the Intercollegiate Chicana/o Latina/o Studies Department. She was born and raised in East Los Angeles and is a Chicana artivista (artist/activist), musician, feminist music theorist and academic. Gonzalez earned a PhD from the Gender Women Sexuality Studies (GWSS) department at the University of Washington Seattle. As a Fulbright (2007-2008) and Ford Fellow (2012-2013) she has published extensively on Chican@ music and popular culture, and music as social movement. Her academic interest in music has been fueled by her own musicianship as a singer and percussionist for East L.A’s Quetzal for the last 18 years. Quetzal has made considerable impact in the East Los Angeles Chicano music scene. The unique blend of Los Angeles sounds as well as the social justice content in the work has sparked dialogue and theoretical work among various artist communities, culture theorists, and scholars across the country, Mexico and Japan. The relevance of Quetzal’s work has been noted in a range of publications from dissertations to scholarly books. As a result, the U.S. Library of Congress and Kennedy Center extended an invitation to perform and speak in September of 2011 as a part of their “Homegrown” music series. In addition, the traveling exhibit “American Sabor: Latinos in U.S. Popular Music” sponsored by the Smithsonian Institute, featured Quetzal as leaders and innovators of Chicano music. This feat coupled with their 2013 Grammy Award winning album on the Smithsonian Folkways informs Gonzalez’s academic work.

Michelle Habell-Pallán – 2014 organizer. Raised on L.A. radio, Michelle grew up in Downey, California. She is a professor of Chicana/Latina Studies in the Department of Gender, Women & Sexuality Studies and adjunct in the School of Music and Communication at the University of Washington.  As a feminista cultural critic, digital archivista, and exhibit curator, she authored Loca Motion: The Travels of Chicana/Latina Popular Culture (NYU Press) and coedited Latino/a Popular Culture (NYU Press).  In her role as public scholar she is a curator of  the award-winning bilingual and currently traveling exhibit American Sabor:  Latinos in U.S. Popular Music hosted by the Smithsonian Institution’s Traveling Exhibition Service (SITES).  As a digital feminista that seeks to transform digital humanities through community engagement, she co-founded and co-directs the University of Washington Libraries Women Who Rock: Making Scenes, Building Communities Oral History Archive.  Habell-Pallán is recipient of a Rockefeller Foundation Humanities Research Award as well as a Woodrow Wilson Foundation Research Award for her innovative research on gender, popular music and culture.  She has been awarded a 2014 Digital Commons Faculty Summer Fellowship, sponsored by the Simpson Center for Humanities to support the Women Who Rock:  Making Scene,  Building Communities Oral History Archive.  She makes community &  music with the Seattle Fandango Project and is a member of the Fembot Collective|Gender, New Media & Technology. Her article, “‘Death to Racism and Punk Revisionism’: Alice Bag’s Vexing Voice and the Unspeakable Influence of Canción Ranchera on Hollywood Punk,” appears in Pop When the World Falls Apart: Music in the Shadow of Doubt (Duke University Press, 2012) and her new manuscript Beat Migration: Transmediating “American Sabor” for the Digital Humanities is in progress.  Contact her at

Yesenia Navarrete Hunter – 2014 organizer  is a Mexican mother who lives in Yakima with her family. She was born in Mexico and came to the United States when she was just a little girl. Yesenia is number 13 of 17 children and traveled with her family as migrant farm workers.  Her passion for her art and her writing comes from sharing stories with her children.  Her life is filled with love, laughter and lots of grace. Yesenia is a student with aspirations of earning a degree in family studies and education. She lives with her husband and children in Yakima, Washington.

Gaye T. Johnson (presenter Women Who Rock sponsored panel Improvising New Communities with Bodies in Motion Roundtable” Sat. 4/26, 9 am Pop Conference.” Gaye Theresa Johnson is a mother, a partner, an activist, and an academic. An Associate Professor of Black Studies with affiliations in the Departments of History and Chicana/o Studies at UC Santa Barbara, Johnson writes and teaches on race and racism, cultural history, and political economy. Her first book, Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles, published by the University of California Press, is a history of civil rights and spatial struggles among Black and Brown freedom seekers and cultural workers in LA. Johnson’s second book, entitled Women in Hip Hop: A Radical Herstory, is under contract with Haymarket Press. Johnson is a Founding Partner of Sol Sisters Rising, a collective dedicated to elevating women of color in film.  Twitter: @LaDoctoraGTJ. Website:

Kait LaPorte – 2014 organizer. Kait is a queer poet pursuing a Ph.D. in Ethnomusicology at the University of Washington. LaPorte’s poetic life started to take shape when she self-published a book of poems she wrote while studying abroad in Peru. Finding the two styles of writing somewhat inseparable, LaPorte’s academic and poetic work both deal with social justice issues. More specifically, LaPorte utilizes queer and feminist frameworks in order to challenge sizeism, femme invisibility, nationalism, and the gender binary. In addition to writing poetry, LaPorte also enjoys playing classical piano and singing. Her poem “Bulldozer” is being published in the forthcoming zine In Passing.

Jacque Larrainzar – 2014 organizer.  Human and Civil Rights Activist. Jacque is passionate about justice. She believes that working with social justice issues is a way to restore our humanity and create checks and balances against institutional power.  “Art, including music, painting and dance, gives us tools to express things that otherwise we would not be able to share with each other, and in doing so, it allows us to share the uniqueness of our individuality as human beings with each other and create community . Art allows you to see who I am and connects my personal experiences to how you see the world and who you are.” Jacque has served on numerous boards and committees in the areas of civil and human rights, immigrants’ rights, and LGBT (lesbian, gay, bisexual and transgender) rights. As an important member of Seattle’s Latino cultural activist community, Jacque was part of the Casa de Las Artes “Day of the Death Celebration.”  Jacque is also honored to be part of the “Seattle Guealguetza Celebration” an annual celebration of indigenous Oaxacan Culture and support Immigration and refugee, women and LGBT organizations by offering music and song to their celebrations. From 1999 to 2001 Jacque performed with the only Cuban Charanga Orchestra in the North West: Charanga Yerbabuena. As a musician she has performed with Lalo Guerrero, Pete Sieger, Richard Egues, and many other internationally known Musicians.  Her music is part of the Smithsonian’s “Woodie Gutrie: Music of Protest in the Americas Collection,” FolkLife, and EMP.  She has been included in the encyclopedia of popular music, and the “who’s who: American Women’s Dictionary.

Carrie Lanza –  Women Who Rock unConference Organizer.  Carrie is a doctoral candidate in Social Welfare at University of Washington School of Social Work and a member of Seattle Fandango Project. Her work explores participatory arts and media production in community-based practice and research. She teaches in the School of Interdisciplinary Arts and Sciences at University of Washington, Bothell.

Kate McCullough is Associate Professor of English at Cornell Univeristy. Her book, Regions of Identity: The Construction of America in Women’s Fiction, 1885-1914 (Stanford University Press, 1999) examines the contribution of women’s fictions to cultural discources of national identity and offers a comparative analysis of the impact of race, gender, ethnicity, sexuality and region in this fiction. She is currently working on a project on gender, sexuality, ethnicity, and diaspora in twentieth-century fiction.

Angelica Macklin  –  2014 organizer. Women Who Rock Film Festival Curator and Videographer.  Angelica is a PhD student in Gender, Women, and Sexuality Studies. As a filmmaker and digital film educator she has taught courses in Video Production, Women Who Rock Oral History Production, and Study Abroad Transnational Media Methods.  Her research is in digital film praxis and its role in building community, supporting social movements, and making more visible the work of women in cultural production. Angelica has served on the organizing committee for the annual Women Who Rock Conference since 2011, and is curator of the annual Women Who Rock Film Festival.

LeiLani Nishime – University of Washington; Assistant Professor of Communication, Adjunct Professor of Gender, Women, and Sexuality Studies; author of Undercover Asian: Multiracial Asian Americans in Visual Culture (University of Illinois Press, expected fall 2013), articles in the journals Cinema Journal, Critical Studies in Media Communication, and Communication Theory, and co-editor ofEast Main Street: Asian American Popular Culture (New York University Press, 2005).

Ann Powers  NPR Music’s critic and correspondent. She writes for NPR’s music news blog, The Record, and she can be heard on NPR’s newsmagazines and music programs.One of the nation’s most notable music critics, Powers has been writing for The Record, NPR’s blog about finding, making, buying, sharing and talking about music, since April 2011. Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Timesand before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly. Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power’s book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010. After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Sonnet Retman –  2014 organizer. Sonnet teaches African American literature, culture and performance at the University of Washington and she is the author of Real Folks: Race and Genre in the Great Depression (Duke 2011).  She is one of the organizers of Women Who Rock.

Elizabeth Ramirez Arreola is a PhD candidate in the Department of Gender, Women, & Sexuality Studies at the University of Washington.

Marlen Rios-Hernandez is a Ph.D. student in the Ethnic Studies Department at the University of California, Riverside. Her undergraduate senior thesis entitled “Dominatrix Women and the Modern Day Work Song” analyzed the intersection of gender, post-punk music, sexual agency, and the sex industry. Her current research revolves around women of color in the early Los Angeles punk rock scene of the late 1970s through the early 1980s. She aims to analyze issues of gender and sexuality in relation to the stigmatization of women as passive participants or sexual objects in music. Marlen’s goal is to raise questions about the private/public sphere in relation to women of color in a genre like punk in the United States.

Noralis Rodriguez-Coss  is a PhD candidate in the Department of Gender, Women, & Sexuality Studies at the University of Washington. Noralis excelled from an early age as an activist, poet and actress. She moved from Puerto Rico to the United States in 2007 to continue her graduate studies after identifying academia as one of the places where she could create new initiatives to help eradicate violence against women. She obtained a M.A. in Women’s Studies from Southern Connecticut State University. Her master’s thesis is titled “Challenges of the Third Wave: Mobilizing Young Women to the Feminist Movements in Puerto Rico.” Currently, she is working in her dissertation, which explores the feminist cultural production of radical performances that denounce violence against women in Puerto Rico. Other interests are women of color feminist theory, theater as an educational tool, and women in science. Her activism within academia directly impacts the growth of her research as well as her understanding of social movements and collaborations. Chief among these is her work with the Women of Color Collective (WoCC) at the University of Washington where she co-organizes annual conferences and workshops, annual writing retreats, and other events to create opportunities for graduate women of color to support each other while navigating academia. In addition, she was the graduate student project manager for the Women Who Rock Community Project, where she co-organized the project’s 2013 annual unconference.

Monica Rojas, Ph.D. (Lima, Peru) –  2014 organizer. Monica is an artist and activist. She recently combined her academic work in Anthropology with her artistic skills to launch and direct her own arts organization called DE CAJóN Project to promote and educate about the cultural contributions of the African descent people in Peru.

Karen Stringer.

Shann Thomas.

Paulette Thompson.  Aside from being a graduate student in the College of Education, Paulette Thompson isa teacher at Ida B. Wells School for Social Justice, the public high school on the University of Washington – Seattle campus. If you didn’t know, now you know:  Ida B. Wells rocked for social justice.

Sherrie Tucker (presenter Women Who Rock sponsored panel Improvising New Communities with Bodies in Motion Roundtable” Sat. 4/26, 9 am Pop Conference). (Professor, American Studies, University of Kansas) is the author of Swing Shift: “All-Girl” Bands of the 1940s (Duke, 2000) and co-editor, with Nichole T. Rustin, of Big Ears:  Listening for Gender in Jazz Studies (Duke, 2008).  She has recently completed a book entitled Dance Floor Democracy: the Social Geography of Memory at the Hollywood Canteen (forthcoming Duke University Press). She facilitates the “Improvisation, Gender, and the Body” section of “Improvisation, Community, and Social Practice,” a Collaborative Research Initiative of the Social Sciences and Humanities Research Council of Canada, and is a founding member of the Melba Liston Research Collective.

Iris Viveros Avendaño  –  2014 organizer. Iris was born and raised in Mexico. She is a first year Ph.D. student and a McNair Scholar whose academic interests and projects emphasize the integration of third world feminist approaches to analyze the impact of colonialism in present-day systems of violence. To this effect, she focuses on the role of social structures and state-mediated technologies of power and domination in perpetuating violence against Latin American women. In addition, Iris’s scholarly work focuses on the connection between cultural production—in the form of communal music, dance, literature, and performance—and practices of resistance, recovery, and healing from trauma. A major source of Iris’s academic and personal inspiration comes from her involvement as a bailadora/dancer in the Seattle Fandango Project, a community dedicated to forging relationships and social activism through participatory music, poetry, and dance.

Deborah Wong (presenter Women Who Rock sponsored panel Improvising New Communities with Bodies in Motion Roundtable” Sat. 4/26, 9 am Pop Conference). Wong is an ethnomusicologist and Professor of Music at the University of California, Riverside. She specializes in the musics of Asian America and Thailand and has written two books. She served as President of the Society for Ethnomusicology from 2007-09 and is very active in public sector work in the arts at the national, state, and local levels. She recently became an editor for Wesleyan University Press’s Music/Culture series.




One thought on “Convivencias & Events

  1. “Women Who Rock: Making Scenes, Building Communities”

    February 17-18, 2011 at the University of Washington and Seattle University

    Call for Session Proposals Deadline: November 30, 2010

    Women have been a powerful presence in Seattle’s well-known independent music scene, as performers, promoters, writers, DJs, archivists and fans. In many cases, they embody the hybrid identity of artist-activist-advocate. Historically, in the Pacific Northwest, women have used their music and activism to create music scenes that anchor social justice movements. The present is no different. The Women Who Rock Conference, organized by the Women Who Rock Research Project and the Women Who Rock Graduate Student Collective, will highlight both contemporary and past movement(s) in and outside of Seattle by bringing together musicians, activists, writers, advocates, educators, and scholars to explore questions of female representation and access for women within music scenes. This conference is intended to reach an academic and public audience. Scholars and educators will contextualize their explorations of women within various music scenes by engaging broader discourses of feminist, critical race, and class analyses. Musicians, activists and others will demonstrate how innovations in the
    creative arts link to social justice movements.

    Photo of Sister Rosetta Tharpe, ca. 1930, © Michael Ochs Archives/Getty Images 1970

    This conference, which aims to be an annual event, will also introduce the initial phase of the Women Who Rock Oral History project. At the conference, we will generate contacts for future oral histories.

    We invite activists, scholars, musicians and artists to submit proposals for topic-focused breakout sessions that will promote dialogue about women, music, and social justice, taking into account issues of gender, race, ethnicity, class and sexuality. We encourage session proposals that explore the ways that Chicana and Black feminist thought have expanded “who” counts as women and “what” counts as rock. In your session proposal, please include the names of facilitators, participants and/or performers; a short description of your topic; a list of the key points you would like to address in dialogue with conference attendees; and a plan for how you will address them. Group and individual session proposals will be considered. We move away from traditional panel sessions with the aim of promoting dialogue. We are particularly interested in creative, non- traditional, and/or musical session formats.
    Possible topics include, but are in no way limited to:

    Performing Community:
    Photo of Alice Bag, ca. 1978, © Ruby Ray 1978
    • The role of music scholars, critics, performers and archivists as well as Chicana and Black feminist theorists in crafting a feminist narrative of hip hop, punk, and indie rock
    • Women performers and the art of DJ-ing, breakdancing, rhyming, graffiti art, vocalizing and spoken word • Building community at the intersection of Hip Hop and Indie Rock • Autonomous women-focused art collectives (ex. Mujeres de Maíz) • Queer musical practices and interventions

    Making a Scene:
    • Music making as a local site of feminist community-building (examples include Home Alive, B-Girl Bench, Seattle Fandango Project and others)
    • The role of performers, advocates, and educators in creating musical communities • Creating a space for building connections between women in hip hop, indie rock/punk, and alternative rock
    cultures that share a similar ethos but rarely connect
    • Connecting the women who use music culture as a platform for pleasure and politics • Linking local music communities and transnational musical movements (de CAJóN Project , Afro-Peruvian percussion)
    • Musical and creative responses to immigration debates (SB 1070) • Creating spaces of autonomous music making and sharing
    • The role of community radio • Internet and social networking

    Communal Archives/Oral Histories:
    • The politics of the archive; the archive as a site of community-making and historical praxis • The archive as resource for performers, advocates, and scholars • The archive as foundation for digital online and museum exhibits • Presentation of oral histories
    Collaborative networks of production, performance, and distribution:
    • Use of digital technologies for in-home production and recording • Use of digital technologies for musical and scholarly collaboration • Music communities as a vehicle for public humanities

    Please submit your session proposals by November 30, 2010. Proposals should be 500 words or less and include a description of the session format. Please also include a 50-word biography. Send proposals for sessions to Group and individual proposals or performances will be considered.

    Questions? Contact Quetzal Flores,

    Conference registration at:

    Conference organizers: Mako Fitts (, Quetzal Flores (, Michelle Habell-Pallan (, Sonnet Retman (, Nicole Robert ( ), Georgia M. Roberts (

    This conference is co-sponsored by the American Music Partnership of Seattle (Experience Music Project, KEXP 90.3 FM, and University of Washington), Women Studies, American Ethnic Studies, School of Music, and the Simpson Center for the Humanities at the University of Washington as well as Anthropology, Sociology, Social Work, and the Women Studies Program at Seattle University.

    To download pdf version, click

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